Artisans and Black Box Systems

Teachers (and unReal Trainers) are artisans. This means they need an intimate relationship with the tools inside the black box.
CarEngine
Jump Leads
When the smiling young man in the car park approached me brandishing a greasy set of jump leads, my first thought was to flee. It's not that I'm scared of jump leads, (they're just a way of connecting a flat car battery to a battery in another car and borrowing a bit of, erm, 'jump', after all) but I'd never 'popped the hood' before and had no idea how to do it.

Figuring a guy with such greasy wherewithal would know how to do this, I agreed to his request. And a mere ten minutes later we were staring at where the engine should have been. But where now there were five black plastic boxes. Even I know that you can't plug jump leads into black boxes.

Black Box Systems
Why black boxes? One clue is my ignorance. Cars, these days, are pretty good so you don't need to do much. Another clue is the lack of tinkering you see these days. As a child, it seemed like half the males on my street would be playing with their engines of a Sunday afternoon. Cars, these days, are very complicated. You put fuel in and out comes 'go' and that's all you need to know.

By coincidence (not) such things are called black box system. If you put one thing into a system and something other comes out - and you don't know or don't care what happens in between - then it's a black box.

For most people, a computer is a black box system. You don't want or need to know what happens inside them. In fact, the number of people on the entire planet who could 'build' a modern computer from scratch is vanishingly small. Hobbyists who make their own computers don't 'build' them so much as assemble them - from black boxes. (Which might not be either black or box-like, but you get my drift.)

It's a similar thing with the mail order company. You make a complaint and the person on the phone starts explaining that the truck was late because the driver was ill because her father was upset because his cat had died. Who cares? Not you, because for you the 'order' button on the website is a black box. Click goes in and out comes a reduced bank balance and a book. (Or not, in this example.)

Industrialisation means Black Boxes
Of course, there are some things where we both care and need to know what goes on inside, but we don't. Many big-company CEOs would dearly love to know what's going on in their departments and divisions and business units. But they don't. They manipulate and coordinate a string of black boxes - the divisions, the departments, units and teams - like Lego. This is what it means to be industrial.

It also gives us a clue what it means to be an artisan. Artisans can't take black boxes for granted because knowing their tools and materials intimately is part of their craft. (I'm using the word 'artisan' in a very loose sense here because I can't think of a better word - this is the kind of thing I mean.)

Learning means art, and science
Helping people to learn cannot be an industrial process. There's clearly an art to it and there should be few black boxes. Here are some, though:
  • She explained the assignment to the class.
  • She explained the situation to her team.
  • The class learned about the historical period.
  • The team learned about the new policies.
Explaining and learning are the basic tools and materials of every teacher. But what's happening inside people's heads (and, more importantly, inside their minds) while all this is going on is a black box. Professor of Pyschology, Steven Rose, has called this an explanatory gap.

Twentieth Century Cutting Edge
Here's a thread about what a 'cutting-edge' Training the Trainer course might look like. None of the suggestions (including mine!) make any reference to the mind and how it learns. There are a few references to 'understanding learners' (and, inevitably, 'Learning Styles' - watch this space for a post on that in the very near future) but that's about it.

UnderHoodAll the teacher training I've ever done has been more about the 'big picture' than the details and opening up the black box (although I did once attend a seminar on 'Aromatherapy and Memory'). But it's the details that take competence and turn it into craft.

Time to get metacognitive
Teachers and students, managers and staff should be opening up the black box to work out where they're going to attach the jump leads. Why aren't we doing it already? And where can we go to get more help on closing our explanatory gap?

Later this week, another long one on the same theme: Grokking cognitive dissonance and the bitter disappointment of writing proper Learning Objectives.

2 comments:

usablelearning said...

Great post -- had a couple of tangential thoughts I'm finally getting around to (been mostly offline for a few days -- getting caught up!).

First was the idea of artisans -- I read an article years ago (which I can no longer source) describe the progression of art > craft > science, with art being pure expression (no wrong answer), science being pure rules (all right or wrong answers) and craft being the blend of the two. Of course, the terms are constructs -- everything (including art & science) would be a craft by that definition, but depending on your objectives you might swing closer to one end or the other on that continuum.

Another one is the issue with domain knowledge, and do you need to have it be effective? I've heard a lot of instructional designers over the years (including me) argue that a good ID can, by working with a Subject Matter Expert, design good instruction regardless of domain knowledge, and that the it can even be beneficial (although I think this is only true if the target audience is also comprised of novices). I actually think that it's *somewhat* true, but we need to recognize the trade-offs.

BunchberryFern said...

Two excellent points. I think craft as a blend of art and science is a good way to put it.

I've been thinking about 'craft' purely in opposition to 'industry' and it's all been about patterns - industrial methods means following a pre-determined pattern (optimised for efficiency) whereas craft means being inspired by, borrowing and repurposing patterns (in order to be more effective).

I've got a couple of posts coming up about your second point. There's one coming up on Thursday over at http://www.brainfriendlytrainer.com/ about the advantages of having a trainer who's completely clueless (my uncle, who taught me how to program). And another one's nearly finished on the Armageddon Problem (after the awe-inspiringly awful film) - what are the essential ingredients to bake a really good trainer? I'm trying to work out if it's easier to turn an SME into a good trainer or a trainer into an SME - very few people I work with have ever had the SME/ID partnership. I think it's an eThing.

In a past life, I taught Russian teachers in Czechoslovakia how to become English teachers as part of a post-revolution 'conversion' course. This is, I'm sure, at the back of my mind every time I imagine the ID/SME relationship.

And this: http://blog.duarte.com/2009/09/it-used-to-take-three-highly-trained-professionals-to-make-a-presentation/

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